25K Mini Pot, Audio Taper, Split, Knurled Shaft, with Nut and Washer. Threaded bushing diameter ~.371" (9.3mm), threaded bushing height 3/8", shaft diameter .232"
Linear potentiometers are generally used as tone controls, whereas logarithmic potentiometers are commonly used as volume controls. This potentiometer features a coarse shaft with 18 teeth and is therefore best suited for coarse knobs. These knobs can be found on guitars from Japan, China, Korea, and Indonesia and therefore shaft size is always in millimeters.
250K control pots are the usual choice for single coil pickups whereas 500K control pots are the usual choice for humbuckers. These "K" numbers are the resistance ratings (kOhms). K is the abbreviation for Kilo, or 1,000. 1 Meg-ohmis 1,000K, or 1-million ohms.
You can experiment with different pots on your guitar: higher values produce a slightly brighter tone. Lower values produce a slightly warmer tone (they remove little more of the highs). 1Meg-ohm pots are the brightest sounding. 25K pots are for active systems with battery-powered pre-amps.
How Does This Work? The signal from your guitar to the amp is a mix of highs, lows, and mid-range sound. Like any electrical charge, this signal follows the easiest path to ground, and the path we give it is through the amplifier. When a control pot is added, part of that signal doesn't make it to the amp because some of the highs don't get past the pot. These highs go through the pot, and bleed off to ground. The lows aren't able to make it through the pot's resistance, so they continue to the amp unaffected. The first to go are the ultra-highs, and the lower the value of the pot, the greater the amount of signal that can escape to ground. This is why 500K pots keep your sound brighter than 250K: their higher resistance won't allow as much of the signal to bleed off. And a 1Meg-ohm pot has such high resistance that when wide open it sounds almost like having no control pot there at all.
There's no control on this pickup at all, and all of the signal is going to the amp. The sound is totally wide open, full volume, and none of the signal is held back.
|Here, a metal conductor has been placed across the hot and ground wires, creating a short circuit. All the signal goes through this short because it's easier than going through the amp. Nothing makes it to the amp, and there's no sound. This is what a volume control does when you turn it all the way to zero.
|If we replace the metal conductor with a resistor, most of the signal heads to the amp again (the amp's an easier path than the resistor). A small part of the signal, however, can get through that resistor: some of the highs make it through, resulting in a less bright, warmer tone.
A control pot is just a resistor: a variable resistor. As you turn it, the resistance changes, allowing more or less of the signal through. That's a volume control.
A tone control is similar, but it's wired in a spot where it only gets to affect the highs, not the whole signal.
Things to remember
|High-value pots are stronger resistors than low-value pots, so they retain more highs in the signal to the amp.|
|If you switch from 250K to 500K pots, your guitar will sound brighter.|
|If your sound is muddy, you might try using a 1Meg pot to brighten it up.|
|For a warmer tone use 250K pots. That's always a good way to tame down single-coil pickups that are too bright.|